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In this compulsively readable oral history -- the debut book in the new Custom House imprint -- the co-author of the #1 bestseller�Those Guys Have All the Fun�and�Live from New York�takes on his biggest, most star-studded subject yet: Hollywood's most powerful and groundbreaking talent agency: CAA.
Powerhouse�chronicles the revolutionary role that Hollywood's largest talent agency -- Creative Artists Agency -- has played in popular culture over the past five decades. Packed with scores of never before told stories and raw quotes that have made James Andrew Miller's previous two books major bestsellers, Powerhouse covers fifty years of Hollywood history and all facets of the agency itself, including film, television, sports, music, business and marketing, and its relationship with private equity giant TPG.
Based on exhaustive investigative reporting and hundreds of interviews -- including the CAA founders and current leadership, studio presidents, network chiefs, producers, directors, stars, musicians, athletes, current and former agents, along with competitors at other agencies -- Powerhouse�offers vivid, personal, and revealing details about how CAA truly operates and why it has played such a critical role in shaping every aspect of modern entertainment. This is also a no-holds-barred business story that offers listeners unprecedented entry into a colossal, multi-billion dollar monolith.�Powerhouse�is sure to hit Hollywood with megaton force, and be essential reading for all pop culture, media, sports and business.
- Sales Rank: #1554265 in Books
- Published on: 2016-08-09
- Number of discs: 14
- Formats: Audiobook, CD
- Original language: English
- Number of items: 20
- Dimensions: 5.80" h x 1.90" w x 5.40" l,
- Running time: 90060 seconds
- Binding: Audio CD
- 1 pages
Amazon.com Review
An Amazon Best Book of August 2016: When Powerhouse first crossed my desk I was mildly intrigued with the idea of getting an inside look at the Creative Arts Agency, which has come to represent some of the biggest names in Hollywood and beyond. Then I read fifty pages and was totally hooked. I’m not even familiar with all the players—though of course names like Tom Cruise and Michael Ovitz jumped right out—but it didn’t matter because their anecdotes about the people and personalities who re-wrote the rule book on how agents work with their celebrity clients are completely addicting. There are stories of overblown egos and overindulgence, brilliant strategy and crushing betrayal—this is a no-holds-barred account of five decades of Hollywood’s movers and shakers told by the people who lived it. Whether you’re an avid movie goer or only watched the Academy Awards when Tina Fey was hosting, Powerhouse is a front row seat to the building of an entertainment industry icon in all its garish glory. And it’s nearly impossible to look away. --Seira Wilson, The Amazon Book Review
Review
“Powerhouse delivers a chronicle of vaunting ambition, immense wealth and power, and personal betrayal all the more astonishing in a business ostensibly built on loyalty and trust… Even more impressive is Miller’s ability to get nearly everyone involved not only to talk but also go on the record.” (New York Times Book Review)
“Magisterial. ... One of the two most important books about the business of entertainment to come out in 2016. ... A must read for anyone who wants to work in Hollywood or just know how Hollywood works.” (The Hollywood Reporter)
“It’s dishy. It’s like People Magazine meets ‘The Godfather.’ It’s like nothing else. I ate it up.” (New York Post)
“Eminently readable and moves at a fast pace thanks to dozens of fascinating celebrity stories.” (Mashable)
“The year’s hottest Hollywood tell-all.” (New York Daily News)
“Probably the most hotly anticipated book since Julia Phillips’s tell-all YOU’LL NEVER EAT LUNCH IN THIS TOWN AGAIN dropped more than two decades ago.” (Variety)
“[F]un to read both for the boldface names - including agency founders Michael Ovitz and Ron Meyer, and clients like Magic Johnson and Ali MacGraw - and for a glimpse into a largely unseen world of cultural influencers.” (The National Book Review)
From the Back Cover
An astonishing—and astonishingly entertaining—history of Creative Artists Agency, from the #1 bestselling co-author of Live from New York and Those Guys Have All the Fun.
The movies you watch, the TV shows you adore, the concerts and sporting events you attend—behind the curtain of nearly all of these is an immensely powerful and secretive corporation known as Creative Artists Agency. Started�in 1975,�when�five bright and brash employees of a creaky William Morris office left to�open�their own, strikingly innovative talent agency,�CAA�would�come�to�revolutionize the entertainment industry, and�over the next several decades�its tentacles would spread aggressively throughout the worlds of movies, television, music, advertising, and investment banking.
Powerhouse is the fascinating, no-holds-barred saga of that ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled with CAA, as well as financial information never before made public, author James Andrew Miller spins a tale of boundless ambition, ruthless egomania, ceaseless empire building, drugs, sex, greed, and personal betrayal. It is also a story of prophetic brilliance, magnificent artistry, singular genius, entrepreneurial courage, strategic daring, foxhole brotherhood, and how one firm utterly transformed the entertainment business.
Here are the real Star Wars—complete with a Death Star—told through the voices of those who were there. Packed with scores of stars from movies, television, music, and sports, as well as a tremendously compelling cast of agents, studio executives, network chiefs, league commissioners, private equity partners, tech CEOs, and media tycoons, Powerhouse is itself a Hollywood blockbuster of the most spectacular sort.
Most helpful customer reviews
15 of 15 people found the following review helpful.
Very interesting view of the power players in Hollywood!
By Reading Rocks
This book covers the period from the time that the some of the CAA founders worked at William Morris, how CAA was created, how it functioned in it's long heyday, and how it changed when the Young Turks took over after Ovitz left. If you've never seen the inside of the book or read any excerpts, it is not a narrative by the author; instead, it is a compilation of narratives by the founders of CAA, some of the agents, some actors, the Young Turks, and people on the periphery. If you don't know at least who these people are, this book may be very confusing to read. It does provide an interesting insight into the mindset of agents, how they function, what the job entails, and the "it's-good-to-be-King" philosophy of the major power brokers in Hollywood. Yes, they eat their young for breakfast in that town!
Since the narratives are provided by the individuals themselves, I found that there was a lot of back-patting, and "he was so nice", "everybody loved him" etc. etc. etc. That was not genuine and clouded some of the book for me. Come on...this is Hollywood. If you're an agent, and a successful one, you would throw your mother off of a cliff or sell your firstborn to get the best client and/or deal. Having most of the people praise Ovitz when, in reality, he was to the right of Ghengis Khan, was feeble. But I suppose that most of the people in the book are still active in Hollywood so you never burn your bridges - especially in Tinseltown where the powers-that-be NEVER forget ANYTHING.
Comments on the Kindle edition: BAD, BAD, BAD.....in what world do booksellers think they can just copy/paste a hardcover into a Kindle versionn?? It doesn't work. The formatting was terrible in many places; there were "bookmarks" already in the book - what's that about? and....there are photos but 99% of the photos are on one page and captions are either on the page before the photo or after the photo. So if you want to know who's-who in the photo to have to keep going back a page or forward to next page. Ugh!!! I find this is an issue with other Kindle versions of books and it astounds me that we can land a man on the moon but someone can't spend the time to format a hardcover book into a reader-version.
7 of 7 people found the following review helpful.
How the sausage is made.
By Cool Loon
It's packed full of insider points of view. So it's very interesting in that respect. However, that positive comes at the cost of a rather odd style - the author has assembled quotes from those involved so that if a particular issue is covered one gets the POV of maybe 2-3-4 people involved in the event. And I assume these are pretty much verbatim quotes. Which is good if one is interested in hearing how the subjects talk, idioms, syntax, how they make a point - which is very useful -- but it's not literature, it's not a single voice narrative. So I found it a little emotionally rootless. It's more of a reporting style. There are so many contributors. Though the author would orient the reader to the players and their hierarchy I kept forgetting who had done what and said what which was important in reading the subtext of their commentary. I was familiar with a number of the names so had a vague notion of what was going on at the time, but I really could get lost if I left the book a few days or weeks and tried to come back to it. But all this said, it's a treasure trove of eye openers for anyone who has or aspires to have a big shot agent looking out for their career. It's about how the sausage is made.
4 of 4 people found the following review helpful.
Fascinating especially for people who are pop culture junkies
By Theresa Dickison
I'm an entertainment and pop culture junkie so this book was already right up my alley. I know about agencies and heard the names CAA and Endeavor and so forth but didn't have any idea what agencies were or what they did for people. The book is a history from the very beginning of CAA in the 70s right up to the present day. It includes interviews from all the principle founders of CAA, CAA agents, agents from other competitive agencies, executives and celebrities. It is organized in an oral history fashion which is a format that I happen to like. Each section has a narrative introduction but otherwise it is all an oral history.
I've read other reviews that accuse the book of being biased towards CAA or sugarcoating the events but I didn't get that feeling as I was reading it. There are plenty of dissenting views and not very flattering descriptions from quite a few people directed at CAA. There are a few people that you can tell still work there and need to toe the company line and sound like an infomercial but they're pretty easy to identify.
It is a long book but it kept my interest from beginning to end. It goes into some extreme detail that might be boring to some but which I found fascinating (especially the parts about sports representation).
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